Confinement in The Yellow Wallpaper by Charlotte Perkins Gilman

Confinement in The Yellow Wallpaper by Charlotte Perkins Gilman      Ã‚   Charlotte Perkins Gilman's The Yellow Wallpaper is a commentary on the male oppression of women in a patriarchal society.   However, the story itself presents an interesting look at one woman's struggle to deal with both physical and mental confinement.   This theme is particularly thought-provoking when read in today's context where individual freedom is one of our most cherished rights. This analysis will focus on two primary issues: 1) the many vivid images Gilman uses to illustrate the physical and symbolic confinement the narrator endures during her illness; and 2) the overall effect of, and her reaction to, this confinement.      Ã‚  Ã‚  Ã‚  Ã‚   The Yellow Wallpaper begins with the narrator's description of the physically confining elements surrounding her.   The story is cast in an isolated hereditary estate, set back from the road and located three miles from town. The property boasts protective hedges that surround the garden, walls that surround the estate, and locked gates which guarantee seclusion.   Even the connecting garden represents confinement, with box-bordered paths and grape- covered arbors. This isolation motif continues within the mansion itself. Although she preferred the downstairs room with roses all over the windows that opened on the piazza, the narrator finds herself relegated to an out of the way dungeon-like nursery on the second floor, appropriately equipped with "rings and things" in the walls.   Windows in each direction provide glimpses of the garden, arbors, bushes, and trees.   The bay is visible, as is a private wharf that adjoins the... ...age or How to Read Your Own Life."    Charlotte Perkins Gilman: The Woman and Her Work.   Ed. Sheryl Meyering.   Ã‚  Ã‚  Ã‚   Ann Arbor: UMI Research Press, 1989.   75-94.       Works Consulted:    Ehrenreich, Barbara and English, Deirdre."The 'Sick' Women of the Upper Classes," The Captive Imagination: A Casebook on the Yellow Wallpaper, ed. Catherine Golden, New York, Feminist Press, 1992, 90-109.    Hedges, Elaine R. Afterword. The Yellow Wallpaper. 1973: 37-63. Twentieth-Century Literary Criticism 9. Detroit: Gale: 1988.    Shumaker, Conrad. "'Too Terribly Good to Be Printed': Charlotte Gilman's The Yellow Wallpaper'" American Literature. 57 (1985): 194-198.    Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in The Yellow Wallpaper"' Tulsa Studies in Women's Literature. 3 (1984): 61-77.    Confinement in The Yellow Wallpaper by Charlotte Perkins Gilman Confinement in The Yellow Wallpaper by Charlotte Perkins Gilman      Ã‚   Charlotte Perkins Gilman's The Yellow Wallpaper is a commentary on the male oppression of women in a patriarchal society.   However, the story itself presents an interesting look at one woman's struggle to deal with both physical and mental confinement.   This theme is particularly thought-provoking when read in today's context where individual freedom is one of our most cherished rights. This analysis will focus on two primary issues: 1) the many vivid images Gilman uses to illustrate the physical and symbolic confinement the narrator endures during her illness; and 2) the overall effect of, and her reaction to, this confinement.      Ã‚  Ã‚  Ã‚  Ã‚   The Yellow Wallpaper begins with the narrator's description of the physically confining elements surrounding her.   The story is cast in an isolated hereditary estate, set back from the road and located three miles from town. The property boasts protective hedges that surround the garden, walls that surround the estate, and locked gates which guarantee seclusion.   Even the connecting garden represents confinement, with box-bordered paths and grape- covered arbors. This isolation motif continues within the mansion itself. Although she preferred the downstairs room with roses all over the windows that opened on the piazza, the narrator finds herself relegated to an out of the way dungeon-like nursery on the second floor, appropriately equipped with "rings and things" in the walls.   Windows in each direction provide glimpses of the garden, arbors, bushes, and trees.   The bay is visible, as is a private wharf that adjoins the... ...age or How to Read Your Own Life."    Charlotte Perkins Gilman: The Woman and Her Work.   Ed. Sheryl Meyering.   Ã‚  Ã‚  Ã‚   Ann Arbor: UMI Research Press, 1989.   75-94.       Works Consulted:    Ehrenreich, Barbara and English, Deirdre."The 'Sick' Women of the Upper Classes," The Captive Imagination: A Casebook on the Yellow Wallpaper, ed. Catherine Golden, New York, Feminist Press, 1992, 90-109.    Hedges, Elaine R. Afterword. The Yellow Wallpaper. 1973: 37-63. Twentieth-Century Literary Criticism 9. Detroit: Gale: 1988.    Shumaker, Conrad. "'Too Terribly Good to Be Printed': Charlotte Gilman's The Yellow Wallpaper'" American Literature. 57 (1985): 194-198.    Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in The Yellow Wallpaper"' Tulsa Studies in Women's Literature. 3 (1984): 61-77.   

Case Analysis Callaway Golf Company Essay

When it comes to the factors contributed to Callaway Golf Company’s success, the tremendous effort it made on updating technology was one thing. With Senior Executive Vice President like Richard Helmstetter, who is the Chief of New Products as well, Research and Development has always been the lifeblood of Callaway Golf Company (CGC). Helmstetter believes that â€Å"If you can make something sufficiently good, what it costs doesn’t matter.† CGC was consistently be on the leading position of technology, which differentiated their products from others and led to the results that CGC sold more units of equipment at the higher price than any other of its competitors in the market. The consumer behavior in golf equipment industry was another factor that led to CGC’s success. First, golf was unlike almost any other sport, the equipment played a significant role in golfer’s performance. Therefore, golfers always seeking for an edge that would help improve their plays. Average golfers, who were the segment CGC targeted, were able to tell the noticeable differences when they used premium equipment. The advanced technologies CGC had with their products perfectly fitted the behavior. Second, when making a purchase, most golfers accepted word-of-mouth recommendations. The form of advertising worked for CGC since golf was played in groups of people who spent hours together, and whenever one player had a good shot with a new club, it impressed others. The last factor that contributed to CGC’s success was the support mechanisms it provided to its retailers. As CGC achieved product differentiation with continuously updated technology, it was important for retail salespeople to understand the product and technology well. To accomplish the goal, CGC supplied its retailers with brochures, informational videos, pocket-sized product guides, and training. CGC also provided product advertising, endorsements, warranty programs and most importantly, the closeouts to help its retail channels. Closeouts occurred when a new-product introduction or when CGC would like to get rid of its inventory and it helped the retailers to bring down the average cost of the remaining inventory as well. As a result of these support mechanisms, CGC was placed in top three for excellence in customer service.

Comparing Plato s The Republic Of 380bce And One Of The...

Plato wrote the Republic in 380BCE and one of the key themes in the book is the theory of justice (C. D. C. Reeve, 2004). In this essay, we will follow the three main views of justice set out by , Glaucon (Ademantus) and Socrates highlighted in Plato’s The Republic. Whilst Thrasymachus explains a very simple and easily understood view of justice, seeing it as the laws created by the rulers of a city, there is no input from anybody else (Lampert, 2010, p260) In my opinion, Glaucon has a much stronger view of justice, explaining that it is split into 3 types of good, laborious good, good for the benefit of others and good for the sake of being virtuous (Ophir, 2002), he also explains about the origin of justice and the social contract signed†¦show more content†¦Ã¢â‚¬ËœSocrates describes Thrasymachus with images of wildness and vulgarity (336b, d; 344d)’ (N. Pappas, 1995). This discourteous and offensive image of Thrasymachus is useful when studying the context o f his theory of justice, because his theory of justice is just as pessimistic and despondent (Guthrie, 1969). Thrasymachus begins by describing justice as ‘nothing other than the advantage of the stronger’ (Plato, 338c). From this, it is interpreted that he defines justice as a fake system whose agenda is controlled by the rich and powerful and use it to exploit the poor and vulnerable (Cleary, Glurtler, 1998). This view can be offensive to certain sections of society but Thrasymachus continues anyhow explaining how justice does not have a set definition and is interpreted by the power structure, in the modern world, this means that justice is decided by the ruling government of the day (Cleary, Glurtler,1998). Santas (2010) argues that in Thrasymachus’ view, by observing the laws of your country, you are considered just and by breaking the laws and facing punishment you are considered unjust. The problem with this system of justice is that the ruling party make laws in their own favour and consequently there are different interpretations of justice across different nations. An example could be censorship in autocratic governments such as North Korea where criticising the government is seen as